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Japanese Girl and Koto
by Yurimoto, Keiko (Shin Hanga artist) - 由里本景子
|Artist:||Yurimoto, Keiko (Shin Hanga artist) - 由里本景子|
|Title:||Japanese Girl and Koto|
|Date:||1950s (this item: Early post-war strike)|
|Publisher:||Kyoto Hanga-In - 京都版画院|
|Medium:||Woodblock - 木版画|
|Format:||Oban - 大判, 39 x 27cm (image size)|
|Condition:||Fine impression and condition. Full margins; No tears, creases, folds, foxing or stains. Remnants of original folder mount verso.|
|Price:||$225 (EMS Express worldwide shipping: $30)|
|Notes:||Carver: Matsuda; Printer Nakagawa; Artist seal and signature lower left.|
|Publisher Notes:||Here are some notes from Daiwa Shinagawa (current owner of Kyoto Hanga-In, 2014) regarding the woodblocks and their survival (or not):|
He is quite clear in his explanation that all the blocks held by Nishinomiya were *completely* destroyed in an air-raid circa 1945 (including Bakufu's Fish series and Wada's Occupations series). This is quite strong evidence to support the suggestion that the blocks used after the war for these series' reprints were completely recarved.
He goes on to say that, due to the poor economic climate after the war, Kyoto Hanga-In did not have the finances to purchase new cherry blocks for each new print scene. As a result, whenever a new scene was to be published they used a block from a previously published scene (i.e., carving the block flat and then recarving the new scene). That is quite a revelation that I would never have expected. As a result of all the recarving of blocks, there are no surviving woodblocks from prior to the 1960s, so the blocks for all the usual 1950s scenes by Bakufu, Hiyoshi, Wada, etc. no longer exist.
|Search:||Yurimoto, Keiko (Shin Hanga artist) (See more prints by this artist)|