Artwork Details for Kawai Gorota (Kyoto Hanga-In artist) "Spring Evening"


Kawai Gorota (Kyoto Hanga-In artist) - Spring Evening - 春宵

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Spring Evening - 春宵
by Kawai Gorota (Kyoto Hanga-In artist) - 河合五良太

Artist:Kawai Gorota (Kyoto Hanga-In artist) - 河合五良太
Title:Spring Evening - 春宵
Date:1950s/60s (this artwork: First edition)
Publisher:Kyoto Hanga-In - 京都版画院
Medium:Woodblock - 木版画
Format:Double Oban - 特大版, 56.5 x 41cm (sheet size)
Artwork Code:11969-Kawai_Gorota
Notes:From the first and only edition. Limited edition 60 of 100(?) strikes.
Goroto was a student of Wada Sanzo.

河合五郎太 木版画「春宵」
紙サイズ:約41x56.5cm
保存状態;上
1960年代の光都版画院版
河合五郎太の師匠は和田三造。
彫、摺りの名匠の手によって
華麗な木版画に開花。

This artwork is from my personal collection and is not for sale.

Publisher Notes:Here are some notes from Daiwa Shinagawa (current owner of Kyoto Hanga-In, 2014) regarding the woodblocks and their survival (or not):
He is quite clear in his explanation that all the blocks held by Nishinomiya were *completely* destroyed in an air-raid circa 1945 (including Bakufu's Fish series and Wada's Occupations series). This is quite strong evidence to support the suggestion that the blocks used after the war for these series' reprints were completely recarved.
He goes on to say that, due to the poor economic climate after the war, Kyoto Hanga-In did not have the finances to purchase new cherry blocks for each new print scene. As a result, whenever a new scene was to be published they used a block from a previously published scene (i.e., carving the block flat and then recarving the new scene). That is quite a revelation that I would never have expected. As a result of all the recarving of blocks, there are no surviving woodblocks from prior to the 1960s, so the blocks for all the usual 1950s scenes by Bakufu, Hiyoshi, Wada, etc. no longer exist.
Search:See more works of art by this artist in my personal gallery and items for sale.


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