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Sumo - 角力
by Wada, Sanzo (1883-1967) - 和田三造
|Artist:||Wada, Sanzo (1883-1967) - 和田三造|
|Title:||Sumo - 角力|
|Series:||Japanese Vocations in Pictures - Series 3 - 昭和職業繪盡|
|Date:||1955 January (this item: First edition)|
|Publisher:||Kyoto Hanga-In - 京都版画院|
|Medium:||Woodblock - 木版画|
|Format:||Large Oban - 大大判, Sheet size 43 x 35cm|
|Condition:||Fine. Strong embossing. Verso clean.|
|Price:||$250. December sale price: $212.5 (EMS Express worldwide shipping: $30)|
|Notes:||Edition 128 of 200 strikes (pencilled in the lower left margin). The print's title is in the image area. In the left margin are (top to bottom) 1. The series title; 2. The date; 3. The publisher name; 4. The publisher's official round red seal; 5. Printer and carver seal. The artist signature and seal are hand-applied within the image area.
See here for the full series.
|Publisher Notes:||Here are some notes from Daiwa Shinagawa (current owner of Kyoto Hanga-In, 2014) regarding the woodblocks and their survival (or not):|
He is quite clear in his explanation that all the blocks held by Nishinomiya were *completely* destroyed in an air-raid circa 1945 (including Bakufu's Fish series and Wada's Occupations series). This is quite strong evidence to support the suggestion that the blocks used after the war for these series' reprints were completely recarved.
He goes on to say that, due to the poor economic climate after the war, Kyoto Hanga-In did not have the finances to purchase new cherry blocks for each new print scene. As a result, whenever a new scene was to be published they used a block from a previously published scene (i.e., carving the block flat and then recarving the new scene). That is quite a revelation that I would never have expected. As a result of all the recarving of blocks, there are no surviving woodblocks from prior to the 1960s, so the blocks for all the usual 1950s scenes by Bakufu, Hiyoshi, Wada, etc. no longer exist.
|Search:||Wada, Sanzo (1883-1967) (See more prints by this artist)|